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Op.: Greeck church music, Musical antiquary, 1911, v. 2;A musical study of the hymns of Casia, “Byzantinische Zeitschrift”, 1911, Bd 20; Rythm in Byzantine music, "Annual of the British school at Athens", 1914-16, v. 21, p. 125-47; The modes in Byzantine music, 1916-18, v. 22, p. 135-56; The problems of Byzantine neumes, “The Journal of Hellenic studies”, 1921, v. 41; Byzantine music and hymnography, L., 1923; Signatures and cadences of the Byzantine modes, "Annual of the British school at Athens", 1923-25, v. 26; The stenographic theory of Byzantine music, Byzantinische Zeitschrift, 1925, Bd 25; A canon by Saint Cosmas, ibid., 1928, Bd 28; ... The morning hymns of the Emperor Leo, "Annual of the British school at Athens", 1928-30, v. 30, p. 86-108, 1930-31, v. 31, p. 115-47; The stichera Anastasima in Byzantine Hymnody, “Byzantinische Zeitschrift”, 1931, Bd 31;Handbook of the middle byzantine musical notation, “Monumenta musicae byzantinae”, Subsidia, I, Cph., 1935; Early Byzantine neumes: A new principle of dechipherment, Laudate, 1936, v. 14;Byzantine neumes: the Coislin notation, Byzantinische Zeitschrift, 1937, Bd 37; Mediaeval Byzantine music, "MQ", 1937, v. 23, No. 2; The Byzantine music about AD 1100, ibid., 1953, v. 39; Gegenwärtiger Stand der byzantinischen Musikforschung, "Mf", 1954, Bd 7, S. 142-49; The rediscovery of Byzantine music, Essays presented to Egon Wellesz, Oxf., 1966.