Justin Moore - Point At You

In addition to sequences (including the “golden sequence”), the use of which was still limited, they belong to org. points of tonics and dominants, ostinato in bass (see Basso ostinato) and other voices,harmonious variation. These totals are historic. G.'s development during the formation and approval of homophonic-harmonious. warehouse all the more remarkable that for several. centuries before in prof. polyphony was only emerging in music, and harmonies were limited to quarts and fifths. Later, a third interval was found and a triad appeared, which was the true basis of chords and, therefore, G. On the results of G.'s development in the decree. the period can be judged, for example, by the works of J.P. Svelink, K. Monteverdi, J. Frescobaldi. We give several examples from the works of Svelink: J.P. Svelink. "Chromatic fantasy." Exposition There, code. An important stage on the path of G.'s further evolution was the work of I.S. Bach and other composers of his time. G.'s development which is closely connected with homophonic and harmonious. a music warehouse, in many respects also polyphonic. warehouse (seePolyphony) and its interweaving with homophony. The powerful upsurge of G. brought with it the music of Viennese classics. G.'s new, even more brilliant flowering was observed in the 19th century. in the music of romantic composers.