Vingt Ans (Prelude No. 2) - Alain Lefevre

In opera music of the 19th century, in particular among Russian classical composers, A. it becomes a small aria with a melody of a melodious-recitation (eg Arioso of Kuma in the opera The Enchantress) or lyric song song (eg, Arioso of Mazepa). A. applies in some modern. operas that follow the traditions of the 18th century. (eg Hindemith's Cardillac, Stravinsky's Career of the Hang). 2) Performing designation indicating the singing character of a game or singing (like an aria). In this sense, it is not associated with any particular genre. It is found by JS Bach (in the separate rooms of the Christmas Oratorio), by L. Beethoven (in the 3rd part of the op. Sonata op. 110). I. M. Yampolsky. indicating the singing character of a game or singing (like an aria). In this sense, it is not associated with any particular genre. It is found by JS Bach (in the separate rooms of the Christmas Oratorio), by L. Beethoven (in the 3rd part of the op. Sonata op. 110). I. M. Yampolsky. indicating the singing character of a game or singing (like an aria). In this sense, it is not associated with any particular genre. It is found by JS Bach (in the separate rooms of the Christmas Oratorio), by L. Beethoven (in the 3rd part of the op. Sonata op. 110). I. M. Yampolsky.