Australian Brandenburg Orchestra & Paul Dyer - Concerto grosso in D Major, Op. 3 No. 6, HWV 317: I. Vivace

A. m. widespread in Christ. Of Spain. Following the example of Muslims Christ. the rulers introduced A. m. in the palace everyday life. So, at the court of Sancho IV of Castile there was an Arab. jugglers, dancers, virtuosos playing the lute, flute, trumpet; Alfons of Aragon in 1329 asked the Castilian king to send him musicians playing the kasbah (flute) and eve; Pedro IV was discharged in 1337 by an Arab. musician Khalezig - performer on the rebab; at the court of Juan II, the Arab troupe performed. jugglers from Valencia, led by Masoud (1389). A. m. Also firmly entered the life of the Spanish people, despite the opposition of the church authorities, who tried to prevent the Spaniards from joining the rites of the “infidels”. Andalusian music gained recognition and influenced muses. Maghreb art. Already in the beginning. 10 c. teacher Munis al-Baghdadi opened the first muses in Kerouan school Abu Salt Omaya (11th c. ) brought to Mehdia a number of new muses. essays. Center. and the outlying districts of the Maghreb were much smaller than Tunisia, were influenced by Syria and Iraq.