God Bless America - The Eric Rogers Chorale

Departing from tradition. plots of mythology and ancient history, he took as a basis the comedy of Moliere, calling it "Spanish tragicomedy. " A. showed the customs and mores of real life in the rules of comedy, and introduced elements of fiction into the tragic denouement to strengthen the moral conclusion. In 1762 he collaborated with K. V. Gluck in the post. the opera Orpheus and Eurydice and the pantomime ballet Siege of Zither. In 1763-64, the heroes premiered. the ballets Cleopatra, Thetis and Peleus, Iphigenia and the comedian. the ballet "Adventures in the Seraglio" Scarlatti. In Gluck’s ballet Semiramis (1765), the plot is the same. the tragedy of Voltaire A. interpreted antiquity in the light of the ideas of Voltaire and the French. encyclopedists. In 1766-72, 1776-79,1782-86 A. worked in St. Petersburg and Moscow, post. the ballets Deserted Dido (1766), Semira based on the tragedy of A. P. Sumarokov (1772), “Ariadne and Theseus” (1776), “Chinese Orphan” according to the tragedy of Voltaire (1777) to his own music and others.