Faith Of Our Fathers - Ronan Tynan

Among the works that developed the theoretical and aesthetic. music production analysis method in west-europe musicology, you can call the work of G. Kretschmar (1848-1924) "Guide to concerts" ("Führer durch Konzertsaal", 1887-90); monograph by A. Schweitzer (1875-1965) “I. S. Bach ”(“ JS Bach ”, 1908), where prod. composers are considered in the unity of three aspects of analysis - theoretical. , aesthetic. and performing; a three-volume monograph by P. Becker (1882-1937) "Beethoven" ("Beethoven", 1911), in which the author parses symphonies and fp. sonatas of the great composer based on their "poetic idea"; book X. Leuchtentritta (1874-1951), “The Doctrine of Musical Form” (“Musikalische Formenlehre”, 1911) and his work “Analysis of Chopin's Piano Works” (“Analyse der Chopin'schen Klavierwerke”, 1921-22), in which he is a high scient. -theoretic. the level of analysis is combined with interesting figurative characteristics and aesthetics. Grades containing many subtle analyzes of the works of E. Kurt (1886-1946), “Romantic harmony and its crisis in Wagner's Tristan” (Romantische Harmonik und ihre Crease in Wagners “Tristan”, 1920) and Bruckner (Bd 1-2 , 1925). In the study of A. Lorenz (1868-1939), “The Secret of Form at Wagner” (Das Geheimnis der Form bei Richard Wagner, 1924-33), based on a detailed analysis of Wagner’s operas, new categories of forms and their sections are established (synthesizing stage and music laws of "poetry and music. period", "replacement part").