John Denver - Annies Song

DOUBLE COUNTERPOINT - the most common type of vertically movable counterpoint; covers opposite permutations of voices, as a result of which the upper voice becomes lower, and the lower - upper. D. to. Requires compliance in the initial combination of two melodies of a number of restrictions, determined by the total amount of movement of the melodies, i.e., its so-called. interval indicator. Most often D. is applied to. An octave, decima and duodecim. Restrictions on the freedom of contraception in these cases are minimal. If in practice wok. polyphony (the so-called strict writing) a certain preference is given to D. to. duodecim, then in counterpoint. the technique of free writing, dating back to the time when the tonal system reached maturity, the predominance of D. to. octave, which remains in the derivative of A. P. Borodin. Quartet No. 1, part II.combining the tonal unity of both melodies. In the 2nd floor. 19 centuryAlong with the growing interest in color, D. k. decima and duodecyma is more often used, which allows for various kinds of duplication. Application decomp. D.'s interval indicators to. it is caused and changed during the development of muses. art attitude to the problem of consonance and dissonance.