Miranda Lambert - White Liar
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Op .: poem of the Komsomol (for choir and orc., 1959); for orc. - 2 symphonies (1969, for symphonic orchestra and choir; 1974, for chamber orchestra), Symphonietta (1958), Suite The Little Humpbacked Horse (1956), symphony. sketches of the adventures of the brave soldier Schweik (1959), Spring Overture (1961), Capriccio (1975); for instrument with orc. - concert for fp. (1960), concertina for fp. with chamber orc. (1971), concert for viola with chamber orc. (1965), concert for cello (1981); chamber instr. ensembles - dialogue and scherzo (1966) and sonata (1980) for skr. and fp .; Triptych for viola and fp. (1962); Classical melody (1975) and Classical sonatina (1980) for flute and piano; A piece for percussion instruments (1973); for fp. - 10 preludes (1963), 6 concert pieces (1966), 12 pieces based on the tale of J. Rodari “The Adventures of Cipollino” (1967), etc .; productionfor an organ; for voice and fp. - 3 songs (lyrics by N. Guillen, 1961), Songs of Winnie the Pooh (1968), 5 romances to verses by A. A. Blok (1956). Lit.Op .: Specificity of the timbre thinking of B. Bartok in quartets and in orchestral compositions, in Sat: Issues of Theory and Aesthetics of Music, vol. 11, M., 1972; Some aspects of timbre dramaturgy, in the collection: Modern issues of musicology, M., 1976; Two studies on Bartok, in collection: Bela Bartok, M., 1977; Reflections on the role of melody in modern music, in collection: Criticism and musicology, vol. 2, M., 1980.