Let Me Love You Tonight - Phil Vassar

In the classic. G. almost does not meet music for bowed instruments (a rare case of G. of an ascending chromatic sequence of octaves in the code of the first part of the concert for the vl. A. Dvořák). As a method of brilliant virtuoso playing G. was widely used in productions written by violinists and cellists romantic.directions (G. Venyavsky, A. Vyotan, P. Sarasate, F. Servet, etc.). G. is especially widely used as a timbre coloring in muses. literature of the 20th century for bowed instruments and coloristic. reception in the orchestration (S. S. Prokofiev - Scherzo from the 1st concert for violin; K. Shimanovsky - concerts and plays for violin; M. Ravel - rhapsody “Gypsy” for violin; Z. Koday - G. chords in a sonata for hosted solo; G. violins and double basses in Ravel’s Spanish Rhapsody).