Dolly Parton - Islands In the Stream (feat. Kenny Rogers)

In the par. circles "learned" music G.was sharply condemned. Since 1846, the opera left St. Petersburg. scene and after several. performances in Washington (1846-47) for a long time ceased its stage. a life.1844-48 G. holds in France and Spain. This trip approved Europe. fame rus. masters.Berlioz becomes a great admirer of his talent, who performed works in the spring of 1845. G. in his concert. The author’s concert of G. in Paris was a success. G.'s life in Spain (more than 2 years) is a bright creative page. biographies of the artist. He studied culture, mores, Spanish. the people; recorded the Spanish. melodies (from nar. singers and guitarists), watched nar. festivities. The result of these impressions were 2 symphs. Overtures: “Aragonese Hota” (1845) and “Remembering of Castile” (1848, 2nd ed. - “Remembering a Midsummer Night in Madrid”, 1851). G. spent the last years of his life in USA (Novospasskoye, Smolensk, Petersburg) and abroad (Paris, Berlin). He lived for a long time in Warsaw, where in the summer of 1848 the ingenious “USA Scherzo” - “Kamarinskaya” was created. New Creat. trends characterize this period. The heyday is realistic. principles of the "natural school", a powerful influx of young forces in USA.literature, the process of democratization Rus. art, intensified on the eve of the cross, reform - these are the phenomena that surrounded G. and influenced his plans. In the beginning. 50s he conceived the program symphony "Taras Bulba" (on the plot of the story of Gogol), in 1855 - an opera from Nar. life "Two-maiden" (based on the same drama by A. A. Shakhovsky). These prod. remained unfulfilled, but creative.