Thomas Rhett - Take You Home

the nature of its first part; in the subsequent parts of the cycle this line does not continue and the symphony, as usual with G., ends with a grand, festive finale with a theme stylized in old USA. spirit. Constructive and polyphonic. G.'s mastery found its highest manifestation in the 7th (1902) and 8th (1906) symphonies, the music of which bears the stamp of wise rationalism and the rigor of thought. However, in bright and clear on the main. the nature of the 7th symphony is widely developed on-genre elements, which gave reason to call it "pastoral". In the 8th symphony, the composer's meditations, caused by the events of Rus. Revolution 1905-07. Hence its general upbeat-pathetic. tone matching heroic. and tragic. images, monumentality of scale. In addition to symphonies, G. wrote a large number of orcs. production:symph poems, overtures, suites. In the poem "Stenka Razin" (1885), images of the elemental bunk were reflected. rebellion, impulse to freedom, close to the work of composers of the “Mighty Handful”. In software symphs. works of G. con.