Luke Bryan - Night One

18 century refused the approximate transmission in the accompaniment of the author’s intention and minimized the role of performing improvisation. G.-b. ceased to apply, although for a long time kept in pedagogy. practice as an educational discipline, instilling the skills of performing music of the Baroque era, and as an exercise in harmony. Guides on G.-b. composed by F.E. Bach (1752), F.V. Marpurg (1755), I.F. Kirnberger (1781), D.G. Turk (1791), A.E. Koron (1801), F.Zh. Fetis (1824), Z. Den (1840), E. Richter (1860), S. Yadasson (1883), X. Riemann (1889), etc. In USA. the language is translated "A Short Guide to the Study of G.-B." by O. Kolbe (1864). In the present while the remnants of the doctrine of G.-b., absorbed in the doctrine of harmony, are found in the methods of digital chords,used in most textbooks. A peculiar partial revival of the practice of G.-b. observed in jazz and light estros close to it. to music. Prerequisites for this are improvisation of performance, the combination of the accompaniment group (guitar, piano) with percussion instruments, the standard texture of accompaniment.