Kenny Chesney - Thank God For Kids

language, etc. G.'s questions are raised in the epistolary heritage of Rus. composers (e.g., in the correspondence of P.I. Tchaikovsky and HA Rimsky-Korsakov about the textbook of G. the latter). From the works of the pre-revolutionaries. USAValuable articles by G. A. Larosh (60-70s of the 19th century) are distinguished by critics. He advocated the need to study ancient music of the pre-Bach period, substantiated the historian. approach to G. In the works of Laroche persistently (although somewhat one-sidedly) the idea of ​​melodic. sources of G. This brings Laroche with Tchaikovsky and with some authors of modern. G.'s scientific concepts, e.g. with Kurt and Asafiev. A. N. Serov has works directly related to harmony, for example. informative article on the subject of chords. V.V. Stasov (1858) pointed to a prominent role in 19th century music. special diatonic. (church) frets contributing to her artistic wealth.