Tim McGraw - Good girls

This trend, which was felt by Kurt, was revealed in a number of more private studies, for example. in the works on the formation and evolution of chords, in the books of G. Haydon on the cadence quartet-seccord (1933) and P. Hamburger on Dep. chords of subdominants and double dominants (1955), as well as in the commentary anthology of A. Casella, demonstrating the historian. the development of cadence (1919).Especially should be highlighted the latest capital research of the book of Y. Kholominsky on the history of G. and counterpoint (1958-62). A. Schoenberg, who stood in his own work on the positions of atonality, in his scientific and pedagogical work. for a number of reasons (eg, academic self-restraint), he adhered to the tonal principle. His doctrine of G. (1911) and later works in this area (40-50s) develop a wide range of problems of G. in the spirit of updated, but stable traditions. The scientific and educational books of P. Hindemith devoted to G. (30-40s) also come from the idea of ​​tone. the basics of music, although the concept of tonality is interpreted in them very broadly and peculiarly.