Scotty McCreery - Please Remember Me

3rd symphony. Part N. A. Rimsky-Korsakov. "Snow Maiden." Action 3. N. Ya. Myaskovsky. 5th symphony. Part IIIn the decomp. Chords gradually increase the value of side tones (otherwise - embedded or replacement sounds). In triads and their reversals, the sixth replaces the fifth or is combined with it. Then, in seventh chords, quarts replace thirds. Non-chord sounds, especially detentions, were still the source of chord formation. For example, the dominant non-chord continues to be applied in connection with the detentions, but starting with Beethoven, especially in the 2nd floor. 19 centuryand later, this chord was also used as an independent one. Org continues to influence the formation of chords. points - due to the funct. discrepancies of bass and other voices. Chords are complex, saturated with tension, in which alteration and replacement sounds are combined, for example, “Prometheus chord” а (harmony of the quart structure).