Hein Simons - Luchtkasteel

"Snow Maiden." Action 3. N. Ya. Myaskovsky. 5th symphony.Glinka's “Song of Margarita” (before the reprise), Tchaikovsky’s overture “Romeo and Juliet” (before the side part). There are compositions richly saturated with anharmonic. modulations: R. Schumann. At Night, op. 12, No 5. Ibid. Alteration gradually spread to all chords of subdominants, dominants and double dominants, as well as to chords of other side dominants. Since the end of the 19th century began to apply the IV lower stage of minor. It began to be used simultaneously. alteration of one sound in different directions (doubly altered chords), as well as simultaneously. alteration of two different sounds (twice altered chords): A. N. Scriabin. 3rd symphony. Part N. A. Rimsky-Korsakov. "Snow Maiden." Action 3. N. Ya. Myaskovsky. 5th symphony.There are compositions richly saturated with anharmonic. modulations: R. Schumann. At Night, op. 12, No 5. Ibid. Alteration gradually spread to all chords of subdominants, dominants and double dominants, as well as to chords of other side dominants. Since the end of the 19th century began to apply the IV lower stage of minor. It began to be used simultaneously. alteration of one sound in different directions (doubly altered chords), as well as simultaneously. alteration of two different sounds (twice altered chords): A. N. Scriabin. 3rd symphony. Part N. A. Rimsky-Korsakov. "Snow Maiden." Action 3. N. Ya. Myaskovsky. 5th symphony.There are compositions richly saturated with anharmonic. modulations: R. Schumann. At Night, op. 12, No 5. Ibid. Alteration gradually spread to all chords of subdominants, dominants and double dominants, as well as to chords of other side dominants. Since the end of the 19th century began to apply the IV lower stage of minor. It began to be used simultaneously.