Susan Haynes - Bottle Rocket

The endings of minor compositions or parts thereof in one. major were already familiar in those days. Thus, elements of the major-minor fret (see Major minor) were formed gradually. The feeling of an awakened harmonious. color, polyphony requirements, sequential inertia, voice condi- tioning conditions explain the appearance of rare, but even more noticeable low-fusion and tertiary-fused combinations of diatonically unrelated triads. In music, the 2nd floor. 16-17 centuries already beginning to feel the expression of chords as such.Some G.'s relationships and forms are fixed and acquire constancy: the above-mentioned most important prerequisites for tonal plans are created (modulation into the key of the dominant, major parallel), the main part takes its typical place. types of cadences, signs of expositional, developmental, final exposition of G. are developed. Memorable melodic and harmonious. the succession is repeated, thereby constructing the form, and G. receives to a certain degree thematic. value. In the music. the theme that formed during this period, G. occupies an important place. Harmoniously add up and hone. means and techniques covering large sections of a work or production. generally.