Jean-Joseph Mouret - Premiere Suite - Rondeau - Victoria Paterson

Being a section of the theory of music, A. m. Cannot be regarded as a discipline capable of giving a full explanation of such muses. phenomena like fret, order, harmony, consonance, dissonance, etc. However, acoustic methods and data obtained with their help,allow musicologists to more objectively solve a particular scientific. question. Acoustic patterns of music during the centuries-old development of muses. cultures were constantly used to build a socially significant muse system. specific language. laws subordinate to art. principles. Owlsexperts in A. m. overcame the one-sided views on the nature of music, characteristic of scholars of the past, who exaggerated the significance of the physic. sound features. Examples of the use of data A. m. In muses. theories are the works of Soviet musicologists Yu. N. Tyulin (“The Doctrine of Harmony”), L. A. Mazel (“On the Melody”, etc. ), S. S. Skrebkov (“How to interpret tonality?”).