Rebecca Lynn Howard - Forgive

Monuments of V. m. types of notations that have evolved and historically succeeded each other according to the development of the singer. art. The oldest of them (from the end of the 4th century) is the “ekphonetic” (that is, “off-tone”) notation. Her writing in the form of strokes, hooks and their combinations fixed the prosody of the text, indicated to the reader when the phrase should be read in one breath, when caesures should be applied, more or less deep. Only a few signs (okseya, bareya), characteristic of ch. arr. for east dioceses, approximately and generally denoted an increase or decrease in voice. In the 8th century parallel to the ephonetic, an irrelevant notation begins to take shape (seeNevyma), which arose in the Athos monastery as a result of lengthy attempts to reform ekfonetich. letter.