Jason Aldean - In Case You Dont Remember

Hall, V. firmly enters into the practice of the game.Despite this, even L. Spur in his Violin School (Violinschule, 1831) allows V. to be performed only by Dep. sounds that he marks with a wavy line. Along with the varieties mentioned above, Spur also used a slowing down V. Further expansion of the use of V. is associated with the performance of E. Izaya and especially F. Kreisler. Aiming for emotion. saturation and dynamism of performance and using V. as a method of “singing” technique, Kreisler introduced vibration when playing fast passages and in a detach stroke (which was forbidden by classical schools).