Dolly Parton - I Will Forever Hate Roses

Simultaneity can be physical (in a chord) or psychological (in arpeggio and related figures), when the hearing combines sounds into a single V. that appear in sequence and fit into the usual sound form, for example. triad or seventh chord. In the decomp. musesV. styles has decomp. value. So, in the era of the dominance of polyphony (the Dutch school), its role was subordinate, while among the impressionists (C. Debussy) it becomes paramount. The idea of ​​V. was reflected in polyphonic. the term "vertically movable counterpoint" (see Moving counterpoint). The concept of "B." is opposed by the concept of horizontal.