Goose Creek Symphony - Gobsows

Verbunkosh emerged as the art of wandering gypsy musicians. The “Hungarian gamut” with two enlarged seconds is associated with the verbunkos. The verbunkos spread by gypsy orchestras in their performance, distinguished by the freedom of pace and rhythm, the brilliance of improvisational decorations, soon became the property of both aristocratic and urban culture. The creators of Hungarian dance music are European violinist and composer J. Bihari, to whom verbunkosh chap. arr. owes its popularity, violin composer J. Lavotta, author of the software-cycle. works, and A. Chermak, the author of dances for the chamber ensemble and the founder of the chamber V. m. Verbunkosh style began in the 19th century. recognized muses. Hungarian romanticism. To sep. 19 centurythe influence of the verbunkosh manifested itself in all genres of V. m. - in nat. romantic opera, symph., chamber-wok. and a song choir. to music. Based on the development of the characteristic elements of the verbunkosh, the Hungarian opera “The Flight of Bela” (“Bela futasa”, 1822) by J. Ruzichki was created, then his “Kemen Simon” (“Kemeny Simon”, c. 1822). Popularity was also gained by Aurelia (Aurelia oder das Weib am Konradstein, 1837) and The Cunning (Cse1, 1839) by A. Bartai and The Treasure Seeker from Visegrad (Visegradi Kincskeresök) M. Rožaveldi. These operas were a mixture of decomp. musesstyles: lyric. episodes are written in ital style. and Vienna. opera music, heroic - in the character of a verbunkos. Transylvanian Verkunkosh.