Lady Antebellum - Life As We Know It
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He created images of strong heroes endowed with high feelings (prototypes of the heroes of opera by German composers of the 19th century - R. Wagner, R. Schumann, etc.). In "Evriant" more distinctly than in the "Free Arrow", V.'s desire for a continuously developing music was revealed. dramaturgy. There are no conversational dialogues in the opera, in some cases the composer refuses to split up the scenes into separate finished numbers. In the background, along with pictures of nature, knightly fights, prayers, wedding processions with many are included. participants and others. In this regard, the role of ensembles and choirs. An important achievement of V. was the embodiment in the melody of the opera of excited human speech. In his last fairy-tale opera extravaganza - “Oberon” (1826, the libretto by J. R. Planchet based on the poem by K. M. Wieland, post.1826, London, under the control. author) V. returned to tradition.