Big and Rich - Caught Up In The Moment

V.'s cycle forms in the middle of the final of concert No. 3 of Prokofiev. An image of a playful character arises in V. from the middle of the scherzo trio op. 22 Taneyeva. The middle of Debussy's nocturne “Festivities” is built on the timbre variation of the theme, conveying the movement of a colorful carnival procession. In all such cases, V. are pulled together in a cycle that thematically contrasts with the surrounding sections of the form. Form V. is sometimes selected for the main or side part in a sonata allegro (Glinka's Aragona Hota, Overture on the themes of three USA songs by Balakirev) or for the extreme parts of a complex three-part form (part 2 of Rimsky-Korsakov's Scheherazade). Then V. exposure. The sections are picked up in the reprise and a dispersed variation is formed. cycle, the complexity of the texture in which is systematically distributed in both its parts.