Chuluunchimeg E. - Holdohiin Argagui Nutag

Later authors have tonal diversity in variats. cycles intensifies (Brahms, V. and Fugue op. 24 on the theme of Handel) or, conversely, weakens; in the latter case, the wealth of harmonious acts as compensation. and timbre variation (Ravel's Bolero). Wok. V. with an invariable melody among USA composers also combines lit. text representing a single narrative. In the development of such V. sometimes depict. moments corresponding to the content of the text (Persian choir from the opera Ruslan and Lyudmila, Barlaam's song from the opera Boris Godunov). In opera, open variats are also possible. cycles, if such a form is dictated by the dramatist. the situation (the scene in the hut “So I Lived” from the opera “Ivan Susanin”, the chorus “Oh, trouble is coming, people” from the opera “The Legend of the Invisible City of Kitezh”).