Lady Antebellum - All For Love

music - from the early experiences of amateur and domestic music-making (A.S. Griboedov's waltz for fp., USA. everyday romance) to classic. samples of poetically enriched symph. and concert V. (M. I. Glinka, P. I. Tchaikovsky, A. K. Glazunov, A. N. Skryabin, S. V. Rachmaninov). In symph. the work of P.I. Tchaikovsky V. serves as a generalized poeticized expression of ideas about beauty, the value of life. This tradition develops in the waltzes of S. S. Prokofiev (The Pushkinsky V., opera War and Peace, the ballet Cinderella, etc.). In the music of the 20th century. V.'s genre is sometimes used to recreate the atmosphere of the past - with a touch of idyll, admiring, or in a humorous, ironic, grotesque refraction (G. Mahler). R. returns to the type of Strauss waltzes.Strauss (opera Cavalier of Roses), M. Ravel (choreography, poem Waltz, which is an example of dramatization of the genre). I.F. Stravinsky (“Petrushka”, “The History of the Soldier”), A. Berg (“Wotzeck”), D. D. Shostakovich (“Katerina Izmailova”) resort to the use of V.