Maren Morris - I Could Use a Love Song

Since 1941 Ch. choreographer Mus. Theater named after K. S. Stanislavsky and V. I. Nemirovich-Danchenko, where his temperament and ingenuity as a choreographer manifested in the post. Nar-heroic ballets:“Lola” Vasilenko (1943), “Coast of Happiness” Spadavecchia (1948), “Joan of Arc” Peyko (1957), “Red Devils” to the music of Dunaevsky and Knushevitsky (1967). Fast. also the play “Tatyana” by Kerin (Leningrad Opera and Ballet Theater, 1947). The dynamics of the directorial construction of the action, the logic of development is dramatic. events are inherent in the decisions of B. ballet performances classic. plots (“Windsor Pranks” by Oransky, 1942), staged versions of classic ballets. Heritage (Esmeralda by Punyi, 1950; Swan Lake by Tchaikovsky, 1953), choreographic symphonic interpretations music (“Straussiana”, 1941; “Scheherazade” to the music of Rimsky-Korsakov, 1945; “Carnival” of Schumann, 1946; “The Snow Maiden” to the music of Tchaikovsky, 1963; “Appassionate” to the music of Beethoven, 1970) and others B.He staged Swan Lake in the Grand Opera (Paris) and Snegurochka in the Royal Ballet troupe (London), as well as in theaters of other countries. USSR State Prize (1946).