Max Stalling - El Paso

1848. - 9 X. Enrolled in the Paris Conservatory. 1849. - III. 1st ave. On solfeggio. - Occupation with counterpoint and fugue with P. Zimmerman, as well as with S. Gounod (later B.'s friend) replacing him. 1851. - 2nd ave. 1852. - 1st pr. - Admission to the class organ F. Benoit. 1853. - Classes with J. F. E. Halevi (composition class). 1854. - 2nd Ave. on counterpoint and fugue, as well as on the organ. - IX.solfeggio. - Occupation with counterpoint and fugue with P. Zimmerman, as well as with S. Gounod (later B.'s friend) replacing him. 1851. - 2nd ave. 1852. - 1st pr. - Admission to the class organ F. Benoit. 1853. - Classes with J. F. E. Halevi (composition class). 1854. - 2nd Ave. on counterpoint and fugue, as well as on the organ. - IX.solfeggio. - Occupation with counterpoint and fugue with P. Zimmerman, as well as with S. Gounod (later B.'s friend) replacing him. 1851. - 2nd ave. 1852. - 1st pr. - Admission to the class organ F. Benoit. 1853. - Classes with J. F. E. Halevi (composition class). 1854. - 2nd Ave. on counterpoint and fugue, as well as on the organ. - IX. Publ.the first 2 songs (along with the father’s romance). 1855. - 1st ave. On organ and fugue. 1856. - 2nd Rome. etc. for the cantata "David" (the 1st ave. was not awarded). 1857. - End of the Paris Conservatory. - Participation in the competition for the composition of the operetta “Doctor Miracle” announced by J. Offenbach (shared the 1st ave. With S. Lecock). - Greater Rome. etc. for the cantata "Clovis and Clotilde." - 21 XII.