Julie Ingram - What We Really Want

Composition: operas - The Fire of Vesta (Vestas Feuer, libretto by E. Schicanedera, stage 1, 1803), Fidelio (libre. J. Zonleitner and G.F. Treychke according to the plot of the play “Leonora, or Marital Love” by Builli, 1 2nd ed., under the name Leonora, op. 72, 1803-05, post.Fidelio, or Marital Love, Fidelio, oder die eheliche Liebe, 1805, An der Win Theater, Vienna; 2nd ed ., with the addition of an overture by Leonor No. 3, op. 72, 1806, post. 1806, ibid .; 3rd ed.Or. 72, 1814, post. 1814, Court National Opera House, Vienna); ballets - music for the Knight's Ballet (Musik zum Ritterballett, 8 numbers, WoO 1, 1790-91), Creations of Prometheus (Die Geschöpfe des Prometheus, script S. Vigano, Op. 43, 1800-01, post. 1801, Nation Court Opera House, Vienna); for choir and soloists with orc. - Christ oratorio on Mount of Olives (Christus am elberge, lyrics by P. K. Huber, Op. 85, 1802-03),Mass C-dur (op. 86, 1807), Solemn Mass (Missa Solemnis, D-dur, op. 123, 1819-23); cantatas - On the death of Joseph II (Kantate auf den Tod Kaiser Josephs II., lyrics by S. A. Averdonka, WoO 87, 1790), On the entry into the reign of Leopold II (Auf die Erhebung Leopolds II zur Кaiserwürde, lyrics S. A Averdonka, WoO 88, 1790), Glorious Moment (Der glorreiche Augenblick, lyrics by A. Weisenbach, op. 136, 1814), Sea silence and happy sailing (Meeresstille und glückliche Fahrt, lyrics by I. V. Goethe, op. 112, 1814-1815);