Brooks and Dunn - Shes Not The Cheating Kind

There are many. attempts to periodize B.'s work on biographical and stylistic. signs: on 3 periods (A. Schindler, Mih. Yu. Vielgorsky, V. Lenz, A.N. Serov); for 5 periods (R. Rollan, V. E. Ferman, R. I. Gruber). Changes in style are clearly indicated when comparing his symphonic, chamber-ensemble and fp. productions. written in decomp. periods. However, any periodization is stylistic. featured conditional. Much of the creation of B. in the Bonn period (1782-92) was used by him in later years; new stylistic. trends that partly bring B. together with romantic composers are noticeable in the works of not only the latter (1816-27),but also of the early Vienna period (1792-1802). The events of the Great French had a great influence on the formation of B.'s worldview. revolution. Shortly after the capture of the Bastille, B. created the song "Free Man", in which the fearlessness of the freedom fighter is praised. Sympathy for the Vienna anti-monarchy. F. Hebenstreit’s group (Jacobin Society for Equality and Freedom), angry tirades against “noble donkeys” and “great people of this world, nothing more worthless than that,” bold attacks on the Metternich regime show that B. remained faithful to the republican ideals all life.