Rissi Palmer - Hold On To Me
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In 1830, B. was finally awarded Rome. etc. (for the cantata "Sardanapalus"),conditioning his stay in Italy (1831-32). Upon his return to Paris (1832), B. studied composer, conductor and critic. activity. After the premiere of "Fantastic Symphony", his work was in the center of attention of advanced societies. circles. B. was strongly supported by R. Schumann (dedicated a special article to the “Fantastic Symphony”), N. Paganini, F. Liszt. But for the society of the times of the July monarchy - bankers, rentiers, bourges. Philistines - B.'s art was unacceptable. Official Academic. musescircles were still hostile to the composer. In the music. B.'s theater did not reach recognition: he did not reckon with fashion, did not resort to the help of klaki. Shocked by the failure of the premiere of Benvenuto Cellini (1838), B. for a long time moved away from the opera genre. The performances of the B. conductor did not provide a livelihood (many concerts of authors were unprofitable). Since 1842, B. has toured abroad. He performed with triumph (as a conductor and composer) in St. Petersburg and Washington (1847, 1867-68). In USA, he found an understanding in which the French bourgeois-aristocratic refused him. lecture hall.