Franz Joseph Haydn - Symphony No.47, in G Major, Finale: Presto Assai

He worked for a long time in Paris, where he was led by the king. chapel. His best prod. - the colorful “French Motet” (with vocals in parts that are clearly instrumental, with solo episodes, accompanied by a bass-continuo and characteristic dialogues) - is more decorative than genuine religion. character. His work in this genre had an impact on French composers (J. B. Lully, M. R. Lalanda, L. Couperin). In the 18th century organ and harpsichord music is developing. Organists are nominated: in Brussels - van Kerhoeven and P. Korn, in Antwerp - D. Rocca, in Louvain - van den Gein. In their composing work reflected the Frenchman. impact on harmonious. clarity of writing and simplicity of texture of organ compositions. Creativity of harpsichord composers J. B. Leieux, van Helmont, J. E. Fiocco is developing.