Voltron Call - Voltron

Viennese composers and music lovers - aristocrats, create song-type operas intended for home performances, and spiritual oratorios in their native language. Italian composers are increasingly striving for rapprochement with local tradition, as evidenced by their attraction to a complex choir. polyphony and the use of Austr. Nar melodies in comic. sideshow. But only under Charles VI nat. artist forces gained wider access to the stage. In the new par. Theater (opened in 1708) along with Ital. virtuosos in opera performances were attended by domestic artists: singers A. B. Roggenhofer and T. Holzauzer, singer H. Brown and others. Since 1715, par. the chapel is led by the outstanding Austrian composer I. J. Fuchs. In the second decade of the 18th century AD educational trends began to penetrate; ital. librettist A. Zeno (worked in Vienna in 1717-29) and his successor P. Metastasio (lived in Vienna in 1730-79) sought to streamline the improvisation. structure of an opera performance.