Freiburger Barockorchester, Gottfried von der Golt - Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II

Choreographers gave way to virtuoso dancers who composed for themselves exits in opera-B. Such were L. Dupree and M. Camargo, edge, according to Voltaire, “the first was equal in dancing with a man” and changed the costume, shortening her skirts. The reform of technology on the basis of simplified content came in handy when the need arose for new content and new imagery. Dancer M. Salle, already striving for this effective imagery, whose art was formed on the stage of the fair theaters in Paris.