Orchestra Of The Academia Di Santa Cecelia & Ferna - William Tell Overture: Final

The basis of B. 's choreography is music and dance, which reveals its content. He owns the ballets Concerto Barocco to the music of Bach (1941), Wandering Gods to the music of Handel, arr. T. Beechem (1928), “Mozartiana” to the music of Mozart, arr. Tchaikovsky (1933), “A Midsummer Night's Dream” to the music of Mendelssohn (1967), “The Crystal Palace” to the music of the First Wiese Symphony (1947), “Episodes” to the music of Webern (1959, collaborated with M. Graham).