Fates Warning - The Sorceress (Live)

Children have grown up. Grew away from my father. Was it Liszt’s conscious sacrifice on the altar of art? In any case, we have to admit that in the family he remained lonely. In the circumstances, there could be no real spiritual closeness - there was a worship of children of a distant ideal, a demigod. No one needs to justify or condemn anyone. So life has developed. Liszt loved his children as he could, and they also loved him as they could. But physical distance gave rise to spiritual distance. It is not surprising that subsequently Cosima easily preferred her beloved to her father.