Kill To Believe - Bleeding Through

Liszt’s unconditional love for France, which he considered his second homeland, as well as belonging to different faiths (subsequently, Liszt painfully hurt the transition of his daughter Cosima to Protestantism) throughout the communication between “friends-relatives” were a stumbling block. Too deep was Wagner's antipathy to everything French in favor of "truly German." So the conflict described above, despite the apparent insignificance, is a vivid example of the clash of principles and beliefs that occurred during the subsequent communication of the two great composers.