Napalm Death - Warped Beyond Logic

The very fact that white and black artists would perform on the same venue caused a gnash of teeth from the sponsor and timid people, who were afraid to shock the Southerners, but Binder did not care about the opinion of the conservatives. The director had made such “mistakes” before: a few weeks before he had caused a storm among American reactionaries, refusing to cut out a scene in the show with Petula Clark in which the English singer touched Harry Belafonte’s hand, with which she sang a duet. A white woman could not touch a black man with impunity in prime time in America in 1968.