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However, the external resemblance could be explained by a common artistic manner. The miniature from the cache is not signed, but is designed in a style very reminiscent of other portrait works of Füger and his imitators. Moreover, absolutely nothing is known about the nature of Beethoven’s relationship with Barbara von Choffen and her movements in the summer of 1812. She should not lose sight of the fact that at the indicated time she was 40 years old; in that era, ladies of this age were considered almost elderly. Perhaps the sensational hypothesis associated with Choffen was intended only to increase the price of her portrait, which was auctioned.