Tool - Cesaro Summability

But while Serov spent unforgettable days in Weimar, listening to Liszt with enthusiasm at home concerts. “What was that! It seemed to me that in 1842, in the Hall of Engelhardt or the Noble Assembly, the same delightfully-inspired face of an “artist from artists”, the same electric, magnetic, magical influence on the audience ... the same incomparable virtuosity, which does not care and which, meanwhile, only serves thought! I’m only surprised to all concert pianists (not excluding Clara Schumann) how dare they play in public when there is such a demon of piano art in the world! ”