Kings College Choir, Cambridge, Stephen Cleobury - Praise, my soul, the King of heaven (Praise, my soul)

Certain melodies have been developed. formulas B. about . ; musesimage B. about. conveyed a unified mood, without k. -l. contrasting digressions. In connection with the brevity of the topic V. about. composers sought to enrich her with the help of counterpoint voices, harmonious. variation and tone shifts. Harmonic the concentration of themes V. about. contributed to the establishment of homophonpo-harmonious. warehouse, although they are usually deployed in polyphonic. invoice. Themes V. about. based primarily on the gamma-like (diatonic or chromatic) movement down or up from the tonic to the dominant, sometimes with the capture of steps adjacent to it. But there were also more individualized topics: G. Purcell. Queen Mary’s birthday ode. G. Purcell. Ode St. Cecilia. A. Vivaldi.