Living Sacrifice - Sell Out

There are frequent examples where conductors prefer to abandon engagement rather than agree to too few rehearsals, especially in those cases when they first deal with a particular orchestra and must first get to know the musicians. There is nothing to argue against their arguments: the more time they will have to learn to compose, improve difficult passages and teamwork of all instrumental groups, the more confidence that the concert will be held at a high level. Orchestras know most of the pieces from which the programs are composed, often performed them and could play even in a dream. But each conductor has his own idea of ​​composition, and he would like to realize it if possible. To do this, he certainly needs, along with the power of artistic conviction, psychological flexibility and a delicate sense offor he deals with bright individuals, whom he needs to attract to his side.