Jussi Bjorling, Sten Frykberg & Swedish Radio Symp - Lelisir damore (The Elixir of Love) : Lelisir damore: Una furtiva

Developing the theory of A. m. , Schoenberg put forward the requirement of eliminating consonant chords and affirming dissonance as the most important element of muses. language ("emancipation of dissonance"). Simultaneously with representatives of the new Viennese school and independently of them, some composers of Europe and America (B. Bartok, Ch. E. Ives and others) used the techniques of atonal writing to one degree or another. Aesthetic. A. 's principles of m. , especially at the first stage, were closely related to the art of expressionism, which is distinguished by its sharpness. funds and allowing alogich. torn art. thinking. A. m. , Ignoring the functional harmonic harmony. communication and principles of resolving dissonance into consonance, met the requirements of expressionist art. Further development of A. m. connected with the attempts of its adherents to put an end to the subjective arbitrariness in creativity, characteristic of “free atonalism”.