Yoga Music - Meditation

The emergence of A. m. Was partly prepared by the state of Europe. music at the turn of the 20th century Intensive development of chromaticity, the appearance of chords of the quart structure, etc. led to the weakening of ladofunctional gravitations. The aspiration to the field of “tonal weightlessness” is also associated with the attempts of some composers to approach the free expression of refined subjective sensations, obscure internal. pulses. The authors of A. M. faced the difficult task of finding principles that could replace the structural principle that organizes tonal music. The initial period of development of “free atonalism” is characterized by the frequent appeal of composers to woks. genres where the text itself serves as the basis. formative factor. Among the first works of the sequentially atonal plan are 15 songs for poetry from the Book of Hanging Gardens by S. George (1907-09) and Three Phrases. plays op. 11 (1909) A. Schoenberg. Then his monodrama “Waiting” appeared, the opera “Happy Hand”, “Five Pieces for Orchestra” op. 16, the melodrama Lunar Pierrot, as well as the compositions of A. Berg and A. Webern,in which the principle of atonalism was further developed.