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ATONAL MUSIC (from Greek. A - negative particle and tonos - tone) - muses. works written outside the logic of modal and harmonious. connections organizing the language of tonal music (see Lad, Tone). DOS A. 's principle of m. - the complete equality of all tones, the absence of any modal center uniting them and gravitations between tones. A. M. does not recognize the contrast of consonance and dissonance and the need to resolve dissonances. It implies the rejection of functional harmony, excludes the possibility of modulations. Sep. atonal episodes occur already in the late Romantic. and impressionist music. However, only in the beginning. 20 centuryin the works of A. Schoenberg and his students, the rejection of the palatonic foundations of music assumes fundamental importance and gives rise to the concept of A. m. or “atonalism”. Some prominent representatives of A. m. , Including A. Schoenberg, A. Berg, A. Webern, objected to the term “atonalism”, believing that it inaccurately expresses the essence of this composition method. Only Y. M. Hauer, who developed the technique of atonal 12-tone writing independently of Schoenberg, widely used in his theoretical. writings by the term “A. m. ".