Nine Inch Nails - Closer (Precursor)

But he is at the base of the orchestra structure, the whole orchestra, including the conductor, is supported on it. Double bass is, therefore, the foundation on which stands a beautiful holistic building, visible. Take it away, and the Babel crowd will begin, sodom, where no one understands at all why his music is. Imagine now - let me give you an example - the Schubert symphony in B minor without double bass. Very clear. Rejoice that you have not heard such a thing. You can throw the entire music library from A to Z into the landfill - anything you like: symphonies, operas, concerts - throws it out calmly if there is no double bass, because it must be there. Ask any musician when he suddenly feels that he is swimming at random! Ask, try it! When he does not hear double bass. This is a failure. In jazz, even more clearly. Jazz explodesit bears in different directions - I allow myself a visual image - when there is no bass in it. For the rest of the musicians, everything suddenly loses its meaning. I don’t accept jazz, rock and all these things at all. As a musician of the classical tradition, guided by the beautiful, good and genuine, I am not afraid of anything as much as the anarchy of free improvisation. But this is in parentheses.