Naglfar - The Brimstone Gate (Taken From Picture. Ep)

Loyalty to the composition is an extremely topical subject; it often gave rise to fierce discussions, more often in the theater than in music. Take Hamlet: the text today is exactly the same as it was written four hundred years ago by Shakespeare. But not a single dramatization is like another. Each director and each performer brings his own ideas and interpretations to the stage, and the productions are different from each other, like heaven from earth. Although the deviations in music are far from being so significant, there are no identical representations here. What's the matter? Just as in the texts of playwrights there are gaps that the director must fill, so the notes left by the composer do not say everything. The game space remains, since many indications, for example, about the tempo and strength of sound, can be interpreted in different ways. Mozart said: “The most necessarythe most unchanging and the most important thing in music is the pace. ” But with this he did not answer all the questions of contemporary performers. We should not forget that musical notation, including numbers, badges, dashes and letters, is just an auxiliary tool. Not everything is expressed with its help unambiguously and clearly, much of necessity remains ambiguous and needs one or another interpretation of the performers.