Elizabeth Harwood, Dame Janet Baker, Raimund Herin - Messiah, HWV 56 (1989 Remastered Version), Part 3: Amen (chorus: Alleg

Philosophical and aesthetic. and theoretical. A. 's views have undergone. evolution. In the early period of his activity, he was idealistic. trends. Aiming for dynamism. understanding music, to overcome dogmatic. teachings about music. form, he initially relied on the philosophy of A. Bergson, borrowing, in particular, his concept of “life impulse” (ylan vital). On the formation of music. -theoretical. concept A. had a significant impact energetic. Theory of E. Kurt. The study of the works of the classics of Marxism-Leninism (from the 2nd half of the 20s) approved A. materialistic. positions. The result is theoretical. A. 's search was the creation of a theory of intonation, which he himself regarded as a hypothesis,helping to find "the key to really concrete justifications of musical art as a real reflection of reality. " Defining music as "the art of intonable meaning", A. considered intonation as the main specific. a form of “manifestation of thought” in music. The concept of symphonism advanced by A. acquired the theoretical significance as a method of art. generalization in music based on dynamic. perception of reality in its development, collision and struggle of conflicting principles.