Fritz Reiner & Chicago Symphony Orchestra - The Barber of Seville: Overture

Among music teachers and creators of spiritual songs in the 4th-7th centuries: Mesrop Mashtots, Sahak Partev, Ioann Mandakuni, Komitas and others. The initial simplest forms were prof. monodic music - tunes of psalms that inherited muses. Tradition pagan. cult, and the ktsurds that developed from them, called hereinafter (in a more developed form) sharakans. Spiritual Arm. music borrowed the intonation of the peasant song. The first sharakans are marked by laconic form, clarity of content, their texts and melodies are simple, small. In contrast to the psalms, where the recitative dominates, their mainquality is melodiousness. Over time, sharakans are created with complex concepts, with a developed mode of intonation. basis, complex rhythm (there is a free-improvisation rhythm). (Their varieties - stegs - multi-dark sharakans with numerous palms and vocal deviations. ) Patarag hymns, Ganza songs, Avetis and other types of prof. spiritual monodic music, each of which is poetic. text and music has its own genre attributes.