Leif Ove Andsnes & Mahler Chamber Orchestra - Concerto for Piano and Orchestra No. 1 in C Major, Op. 15: III. Rondo

City People song and instru. music also has ancient traditions; samples of this medieval, once highly developed music (according to the chroniclers) reached the present. time only in fragments. Modern mountains steam music assimilated, in addition to peasant songs and cf. cities, also elements east. and app. cultures. Melody Arm. mountains the song has similarities with a peasant song,but she has a more open emotionality. Widely represented love lyric. genre (often in detailed songs such as romance or in associations of 2 songs - slow and fast). There are also domestic, satirical, comic, banquet, student songs, song dances (performed with solo dance), etc. Many mountains. songs that have become popular, created by the words of famous poets (A. Isahakyan, O. Hovhannisyan, O. Tumanyan, R. Patkanyan, G. Aghayan, S. Shahaziz, M. Peshiktashlyan, G. Alishan and others). Songs nat. -patriotic since the 60s. 19 century played means. role in the formation of nat. self-awareness. City People instr. music, in addition to accompanying wok. numbers and diverse dances, included independent expanded improvisational pieces of slow movement (usually with lyric dance refrain) or potpourri from several. diverse playsperformed solo or ensemble. The ensemble performance is mostly unison, but as a result of impromptu variation, elements of a peculiar heterophony appear in it. The seasoned tone is widely applied.